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Five marks, one grid

Design language

Why the applications look like they come from one house — and how you still tell them apart at sixteen pixels.

The idea

Form first, then colour.

Five marks, one circle, the same stroke. They are told apart not by colour but by where the ring opens.

Know one mark and you know them all — in greyscale, on a printout or as a tiny symbol in a browser tab. Colour is the bonus, form is the obligation.

companion
Geöffnet — rechts
atrium
Geschöpft — unten
fact
Gekerbt — Kern
learn
Ausgetreten — oben rechts
school
Geteilt — zwei Hälften

What the opening says

Every mark states what its product does.

companion — open to the right

The open C, ready to take something in. The umbrella never stands for a single application.

atrium — open below

Two bowls. The courtyard takes in what is brought to it — which is why the opening faces down.

fact — the core

An almost closed ring around a solid centre. The only mark without a second circle: an answer with evidence does not need one.

learn — the spark

At the upper right, one segment leaves the track. Material that gets made rather than administered.

school — two halves

Two equal arcs around a closed core: teacher and class. The calmest mark in the set.

Which means

A new product does not get a new visual language. It gets an opening that suits it — and belongs immediately.

Colour

Two tones that also hold up in the dark.

Every application has one tone for light surfaces and one for dark. Same hue, different lightness — the mark stays the mark and the contrast holds in both modes.

All ten tones stay legible as text, not only as a filled shape — usable for buttons, links and emphasis without anyone having to measure.

Produkt Tagton auf Papier Nachtton auf Tinte
companion #3A5CD8 5,20:1 #93AEFF 8,27:1
atrium #6B3FD4 5,85:1 #B49BFF 7,71:1
fact #0B7A6A 4,80:1 #4FD8BE 10,11:1
learn #C0341A 5,13:1 #FF8A6B 7,73:1
school #3D7A2E 4,78:1 #8FD07A 9,74:1

Alle zehn Produkttöne liegen über 4,5:1 gegenüber ihrem Untergrund und erfüllen damit WCAG 2.2 AA für Text; für grafische Elemente wären 3:1 gefordert. Sie dürfen deshalb auch für Buttons, Links und Auszeichnungen im Fließtext verwendet werden.

Type

Two typefaces. That is all.

Space Grotesk for everything that gets read. IBM Plex Mono for everything that gets measured.

The names are always set in lower case: a product name in capitals shouts, and these products do not need to shout. Wordmarks are built from the mark and live text rather than shipped as an image — sharp at any size, and a screen reader can read it.

fact
atrium
learn

Motion

Four states. And no fifth.

Only the rotation of the rings ever moves. Never the form, never the colour, never the size.

The fourth state is progress: where a duration is known, the outer ring becomes the scale.

Waiting

The rings run against each other. Only appears when it really takes a while.

Arriving

Once per session, without a bounce. An entrance, not a tic.

Answering

Fourteen degrees on contact. Enough to be noticed, too little to distract.

Anyone who has set “reduce motion” in their operating system sees none of it.

Not allowed

Five things that break it.

Where an application seems to force one of them, the application is set up wrongly — the mark is not being precious.

  • Never rotate. The axis is the meaning. A rotated mark is a different product.
  • Never distort, never mix stroke weights.
  • No gradients, no foreign colours.
  • Product colour inside only. The outer ring stays ink or paper.
  • No round caps. The cuts stay blunt.

Nächster Schritt

Dreißig Minuten, in denen Sie sehen, ob es passt.

Kein Verkaufsgespräch: Sie schildern einen konkreten Fall aus Ihrem Haus, wir zeigen daran, was die Applikation tut — und wo sie an ihre Grenze kommt.